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Come October 10, 15 iconic Cantonese movies from the 1950s and 1960s will be screened at the National Museum of Singapore. PHOTOS Hong Kong actor Patrick Tse in the 1966 Cantonese film “The Dreadnaught”. During the 1950s and 1960s, Tse was one of the most popular leading men in Cantonese film in Hong Kong. (Photo: Family of Ho Kian-ngiap, third son of Ho Khee-yong) Caption SINGAPORE: Come October 10, 15 iconic Cantonese movies from the 1950s and 1960s will be screened at the National Museum of Singapore. Featuring Hong Kong movie stars of yesteryear such as Patrick Tse Yin and Patsy Kar Ling, it is an 11-day showcase of movies made by Kong Ngee Film Company, which was started by two brothers from Singapore. “Singaporean brothers, Ho Khee-yong and Ho Khee-siang’s pioneering spirit and successful venture into motion picture production placed Singapore on the world map,” said director of the National Museum of Singapore, Angelita Teo. In a statement, the National Museum said, “Kong Ngee Company Limited had its humble beginnings in film distribution in Southeast Asia.” “The company went on to own cinema halls across the region, and in 1955, the Ho brothers made their first foray into filmmaking, under the Kong Ngee Film Company.” it added. Among the 15 films that will be shown in the retrospective are some that were shot in this region, such as “Moon Over Malaya”, which may offer a glimpse of scenes from the past. The movies, with English subtitles, will be screened at the Gallery Theatre at the National Museum of Singapore from October 10-20. Admission is by tickets, and more information can be found at the SISTIC website. – CNA/fa

Cantonese movies to be screened at National Museum of Singapore

Sent! A link has been sent to your friend’s email address. 1 To find out more about Facebook commenting please read the Conversation Guidelines and FAQs The top 10 Las Vegas movies The Best Vegas Films When it comes to movie locales, Las Vegas isn’t a bad bet. From its gangster roots to its embrace of vice and shotgun weddings, Sin City has become one of Hollywood’s favorite datelines. As Las Vegas unveils its “Vegas Enablers” campaign, a re-imagined take on the pop culture-entrenched slogan “What happens here, stays here,” USA TODAY film critic Scott Bowles lists his top 10 films to come from The Strip Paramount/The Kobal Collection #1 ‘The Godfather: Part II’ (1974) The payout: The story of the early life and career of Vito Corleone in the 1920s as he expanded his syndicate from Nevada to Cuba hit Hollywood’s ultimate jackpot. The film grossed a then-impressive $48 million and made Oscar an offer it couldn’t refuse, walking off with six Academy Awards, including best picture, best director for Francis Ford Coppola and best supporting actor for Robert De Niro. Frank Masi, Warner Bros. Pictures #2 ‘The Hangover’ (2009) The payout: The $35 million comedy about a band of drunken revelers was considered something of a long shot, with its B-level cast and an R rating, which once hampered summer films. By the end of its run, Hangover became the highest-grossing R-rated comedy with $277 million and spawned films like Bridesmaids and We’re the Millers. #5 ‘Casino’ (1995) The payout: Martin Scorsese’s mobster drama about greed, betrayal and a feud over a trophy wife ensconced Robert De Niro and Joe Pesce as gangster icons and earned Sharon Stone a best actress Oscar nomination. Castle Rock/New Line/The Kobal Collection #6 ‘Honeymoon in Vegas’ (1992) The payout: No actor has hit the jackpot in Vegas more often than Nicolas Cage, himself an avowed Elvis fan.

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Some of the newer movies weren’t exactly hits in the theaters, such as Keanu Reeves’ “Generation Um” and Lee Daniels’ “The Paperboy,” which preceded his hit “The Butler.” But there are also many older films, including some classics. The choice of foreign flicks is also healthy and with some quality picks. Documentaries, such as “Gasland” and “Restrepo,” are some of the top picks for a collection that also includes public television documentaries, like Ken Burn’s “Prohibition.” Under the television section, Hoopla offers plenty of National Geographic and British shows, but not much else. There aren’t past seasons of many shows, which is one area Netflix thrives in. There are also educational choices, such as preparation videos for high school advanced placement exams. The limit on new movie titles, though, is not something unique to Hoopla. Even Netflix, with its bigger budget, often spars with movies studios on when to release new movies. And it’s not something unique to streaming either. Blankenship said movie studios would delay sales to libraries of new movies, or only allow rental DVDs, which don’t contain special features. “Eventually, it seems inevitable that movies are distributed online rather than through physical media. I expect libraries to stop needing DVDs, but not today, Hoopla or not,” Blankenship said. On the music side, the choices are far greater and newer — about 300,000 titles. New releases like Jay-Z’s “Magna Carta,” the new Mumford & Sons, Robin Thicke, Macklemore or Neko Case are readily available. “The music industry is more attuned to the digital,” Hoopla’s Manon said.

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